Light-focused Photography

Dancing Brook Water

Dancing Brook Water

As a teenager, discussing the meaning of everything, the word ‘light’ seemed to encompass all that was needed both physically and mentally. For example, the more light that we shine upon a subject of contention, the easier it is to understand it and make a good decision. By increasing light on areas of knowledge, we increase our wisdom.

Light is electromagnetic radiation that is visible to the eye. But wisdom can be received from those people who are blind. So, the definition of light can also include the imparting of understanding: the teacher shed light upon a subject that I did not know about when I asked, and I understood; I received wisdom.

I strive in my photographs to achieve effects that motivate discourse.

So, now we are getting close to the inspiration behind the images on this site and the reason why thousands of years after the earth’s creation, we still want to see the qualities of light represented in art.

We are also drawn to the wonder of the light and events beyond our earthly home, through the Hubble telescope. The kaleidoscope of colours it reveals, together with the light received from the art I have seen in galleries, is the impetus for these photographic images.

The idea is that you look at these images and, potentially, see other pictures within them. The more depth they have, the more effective they are in what I am trying to achieve.

Silk Road

Silk Road

Some of my images have been very hard to photograph, in the form I’m looking for, as a finished article. Therefore, like most photographs, they are unique. I am continually exploring techniques to elicit mood reactions in the observer.

Smoke on the Water

Smoke on the Water

I hope that you enjoy the visual representations, as much as I have in trying to capture the different effects of light that we are immersed in each day.

The artist JMW Turner wanted to include all of the constituent elements required for life (fire, air, earth and water) in his paintings. He was particularly good at depicting light. He never stopped trying to convey light in his pictures and always lived close to the River Thames, because of the reflective properties of the water.

Portrait of Turner, engraved by W. Holl published 1859-61 Joseph Mallord William Turner 1775-1851 Transferred from the British Museum 1988 http://www.tate.org.uk/art/work/T06300

 

 

Why are bees driven, what motivates them?

 

To Bee or not to Bee

To Bee or not to Bee

We are told that insects were created by God on the fifth day (see Genesis in the bible).

Clearly, Genesis’s account of creation is open to interpretation. The six days of creation are not twenty-four hour days but much longer periods, likely to be thousands to billions of years.

Bees evolved from ancient predatory wasps that lived 120 million years ago (please click on: Museum of the Earth).

Bees are attracted to the flower’s bright colours, patterns on the petals and the aroma of sweet nectar. However, what is fascinating is the fact that discoveries from 1960s onwards show they are attracted by an electrical charge. (please click on: “Bees can sense the electrical field of flowers“) .?Flowers are negatively charged and bees are positively charged. Please see photo below showing bees feeding on eryngium giganteum or ‘Miss Willmott’s ghost’.

Bee on Chive flower

Bee on Chive flower

The electrical charges between the flower and the bees mean that the pollen can be seen to jump to the bees body, says Daniel Robert of the University of Bristol (please click on: University of Bristol).

In order to further interpret the electrical signals that bees are sensitive to, electrodes can be attached to the stems of flowers. These electrodes can be attached to speakers and the electrical pulse can be heard. This sound changes when the bee approaches as the bee has a different electrical signal. David Attenborough describes this intricately in the following video: Electric Charge on Flowers and Bees.

 

Bee on Cow Parsley

Bee on Cow Parsley

The reason that I photograph bees is because the real science of bee flight was not entirely clarified until the 1990s.?In addition to the circular motion of the wings and speed of rotation, an article in the New Scientist reveals that there are also “tiny tornado-like airflows that form on the leading edges of their wings, known as LEVs or leading edge vortices” (please click on: New Scientist).?Also, trying to obtain a bee’s photograph in flight is a challenge as they move so fast! Please see photo of bumble bee flying towards rhododendron bush below.
Bee flying towards a rhododendron bush

Bee flying towards a rhododendron bush

The Psychology of the Colour Pink: Meaning, Symbolism and Wellbeing

Pink Sky Reflection, The Norfolk Broads, Art Photograph, Hugo Richardson

Pink is a colour with a surprisingly deep and varied history. From ancient literature to global cultures, from religious symbolism to modern marketing, pink has carried meanings of love, innocence, power, luxury and even rebellion. This post explores the fascinating story of pink and the emotional impact it continues to have today.

Pink in Early Literature

In the 8th century BC, Homer’s Odyssey references pink as the rosy colour of dawn, “Then, when the child of morning, rosy-fingered dawn appeared…”

Wild Rose with Rain Drops, Art Photograph, Hugo Richardson

Suffolk Pink: A Colour With History

Suffolk Pink, seen on many historic buildings in the region, dates back to the 14th century. The colour was traditionally created by adding elderberries to limewash, though sloe berries, blackthorn and even ox blood were also used. These additions were believed to strengthen the protective qualities of the limewash.

The ‘Suffolk Pink’ colour is highly protected and regulated by local councils and English Heritage.  Marco Pierre White once painted The Angel in Lavenham a shade of ‘blancmange’ in 2013 that offended the locals and the council.  He was forced to repaint, only after the right shade of pink was agreed with English Heritage.

Pink in Religion and Symbolism

Biblically, pink is associated with being in right relationship with God. It symbolises the “Love of God,” combining the red of Christ’s blood with the purity of white. In some artworks, Jesus is shown wearing pink to evoke innocence and the womb.

Pink symbolises friendship, beauty, faithfulness, compassion, romance, love and sensitivity. Pink roses, for example, represent admiration, happiness and familial love.

How Pink Pigments Were Made

Light red eventually evolved into the colour term “pink.” Historically, pink pigments were produced by mixing alum and chrome mordant with brazilwood dye or with madder roots plant Rubia tinctorum.

Mixed with white, pink can also be made using red from the cochineal insect. Cochineal was cultivated commercially in Poland, Prussia, Saxony, Lithuania and the Ukraine in the 18th century.

The cochineal harvest started on the fifth hour (between eleven o’clock and noon) of St John the Baptist’s feast day on the 24th June, accompanied by religious ceremonies.  Some stories are hidden deep in language, in words we use daily, but the origins of which have been long forgotten.

Polish cochineal is also known as Polish lac and the cochineal insect is known in Polish as Czerw.  The female of the cochineal, in the late larva state, was collected and boiled in water with vinegar. They were then dried in the sun, or in ovens and ground with bread acid to produce a dye.

But as many as 155 thousand insects were required for 1kg of dye, pushing red textile prices through the roof.  Polish noblemen, monarchs and high clergy were the only people that could afford cloth dyed with cochineal, also known as Saint John’s blood.

The first flags and banners of the Kingdom of Poland show a white-crowned eagle on a red background, and the white and red flag represents Poland to this day.

From the 16th Century, Polish cochineal was predominantly replaced by cochineals from the New World.

Pink symbolises friendship, beauty, faithfulness, compassion, romance, love and sensitivity.

Pink roses, for example, symbolise love between family members, admiration and happiness.

Pink Roses, Art Photograph, Hugo Richardson

Pink in Global Cultures

Pink carries different meanings around the world:

In Japan, the colour pink has a masculine association. The Sakura pink cherry trees that blossom in spring represent young warriors (Samurai) who fell in battle in the prime of their life.

Pink is a sign of trust in Korea.

In Latin America, it’s symbolic to architecture.

In India, Jaipur City is a tourist attraction.  It has forts, palaces, temples and bazaars which are predominantly pink.  The geography is often called ‘The Pink City’.

Pink in the Sky and Natural Light

Clouds often appear pink at certain times of day. This happens because sunlight scattered by clouds is also scattered by air molecules. Shorter?wavelength colours such as green and blue are scattered out of our direct line of sight more than red. The atmosphere preferentially scatters blue light toward us — a phenomenon known as airlight.

Airlight is responsible for the blue sky and contributes to the blue appearance of distant mountains, such as the Blue Mountains in Australia.  Because airlight is polarised, its intensity changes depending on the setting of a camera’s polarising filter. When reddened sunlight and scattered blue light combine, the result is the soft pink glow we often see in clouds.

It is responsible for the blue sky and partly for the blue colour of distant mountains  Airlight is polarised and so the intensity depends on the setting of the camera polarising filter.  The reddened light and blue light together produce the pink.

Pink Clouds, Art Photograph, Hugo Richardson

Pink in Maps and Empire

Traditionally, territories of the British Empire were coloured pink on maps. This was a practical compromise: red was the colour associated with the Empire, but printing colonies in red made place names difficult to read on globes and atlases. Pink provided a clearer, more legible alternative.

Pink as a Symbol of Luxury

In the West, Pink first became fashionable when European aristocrats, both men and women, wore a faint pink powdery variance as a symbol of luxury and class.

Pink in the Natural World

In the natural world, one of the most dramatic colours of pink can be found on the flamingo.  Their colour is as a result of the food that they eat which is mainly algae and brine shrimp.  The body of the flamingo metabolises the pigments which turn its feathers pink.

Flamingo, Art Image, Hugo Richardson

Pink in Psychology and Behaviour

In 1979 in the US, penitentiaries were painted pink as an experiment to reduce violence.  This type of pink is called ‘Baker-Miller’. The reason being that the experiment on the first correctional institution was directed by Baker and Miller.

The early research was found to be flawed.  While pink’s calming effect has been demonstrated, researchers of colour psychology have found the effect only occurs during the initial exposure to the colour.  When used in prison, the inmates often become even more agitated once they become accustomed to the colour.

Pink, Gender and Marketing

In the Western world today, pink is widely seen as feminine — .  Barbie pink for girls, blue for boys. But historically, this was not the case. Until the early 20th century, pink was considered a masculine colour, while blue was associated with femininity and the Virgin Mary.

This shifted in the 1940s when retailers realised they could increase sales by marketing colours to specific genders. By the 1950s, everything from toys to toothbrushes was colour?coded, cementing pink as “for girls” in popular culture.

The Rise of Rosé Wine

A very interesting marketing phenomenon has been the massive increase in the consumption of rose wine.  There are a number of reasons for this, some of which include the colour.

The ‘salmon’ shade of Rosé wine is generally the leader globally.  However, an apricot shade of rose wine is preferred by consumers in the Bordeaux region.

Global consumption of rose wine has increased by 30% in 15 years. In 2013 alone, the United States consumed 279.4 million litres (nearly 74 million gallons) of pink wine.

The increase of rose consumption appears to be based upon the attractively of its colour. Rosé is very popular with the millennial generation.  The pink is perfect for Instagram posts and influencers like Angelina Jolie and Brad Pitt, who own the award-winning producing Chateau Miraval has also helped.

Here are all the reasons, following some research on the web:

  • Rosé production quality has increased
  • Rosé has a lower propensity for producing a hangover compared to other wines
  • More and more women are looking for lightness and freshness
  • Rosé is being promoted by celebrities
  • It looks good on social media
  • There is a wide range of sweet to dry options

Flamingos, Art Image, Hugo Richardson

Please feel free to communicate with me about the ‘blogs’ we publish.

Email: hugo.richardson@image-memory.com

Tel.:     07476 343 777

Turner and the Elements – Earth

Castle Ruins and Small Village Landscape, Joseph Mallord William Turner, c. 1798-1799

Joseph Turners work can be viewed at:

https://www.tate.org.uk/visit/tate-britain/display/jmw-turner

Mountains, Crags and Rocks

“Roughness forms the most essential part of difference between the beautiful and the picturesque”  William Gilpin (1724-1804).

In the second half of the eighteenth century, the English clergyman and author William Gilpin formulated an aesthetic theory of landscape.  This was published in 1786.

Opinions of landscape design formed a “picturesque” debate.  Lancelot “Capability” Brown and Humphrey Repton represented one side of the spectrum.  They were in contrast to the ideas of William Gilpin and Richard Payne.

Landscapes by Brown and Repton are characterised by undulating expanses of grass and hills, broken up by clumps of trees and serpentine lakes to impress serenity.  This style required dramatic landscape alterations; an endless number of trees would be cut down, and an entire village would be relocated in the name of “improvement.”

Gilpin preferred rugged and moody landscapes that could also invoke the sublime. Gilpin observed that the appearance of the landscape changed depending upon the clouds and the quality of light.

Turner’s interest in the element of earth must be looked at in the context of contemporary developments in landscape painting in Britain.

Gilpin published his observations and encouraged British landscape artists to pursue atmospheric phenomena. He illustrated this contention in watercolours that brought the landscape to life through the use of chiaroscuro.

The fine art term chiaroscuro comes from the Italian words that roughly translate to light and dark.  Chiaroscuro technique is employed in the visual arts to represent light and shadow as they define three-dimensional objects.  Turner followed Gilpin’s example in exploring British landscapes.

Here are some ‘monochromatic’ samples of the chiaroscuro method:

Mountain Peaks, Alexander Cozens, c. 1785

Alexander Cozens work can be viewed at https://www.tate.org.uk/art/artists/alexander-cozens-118 

Castle End Farm, Luscombe, Richard William Conway-Jones, 1988

Richard is a contemporary artist, his work can be viewed at:

http://www.conway-jones.co.uk

From a personal perspective, my approach to photography has been, as much as is possible, that of an artist.

I feel drawn to the mountains of Wales, Scotland and the Lake District. This Scottish landscape photo below shows trees growing where God and nature has decided. The picturesque stark mountains that reach the sky are easier to capture when the light is less intense.  I hope you can appreciate Gilpin’s ‘atmospheric phenomena’.

Blair Atholl, Looking towards Killiecrankie circa 1801 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/D04179

Glen Nevis, Hugo Richardson, November 2023

Scottish Landscape, Hugo Richardson, November 2023

I like mountains as a subject for photographic landscapes.  I have experimented with light and shadow options and seasonal light intensity variations can have an effect on the mood of the image.

Clearly, where the outline of mountains meet the sky, having a ‘chiaroscuro’ methodology in the mind of the photographer, can help.

Through the value gradation of colour and the analytical division of bright and shadowed shapes, the chiaroscuro artists create the illusions of three-dimensional forms and the light coming from a specific source, often achieving dramatic effects.

By 1801, the twenty-six-year-old Turner was already an Associate of the Royal Academy.

Turner was at the centre of intellectual life.  The Academy was at the right-hand side of Somerset House, next to the Society of Antiquaries.

Sir Francis Chantrey (sculptor),  Sir John Soane (architect)  and Sir Thomas Lawrence (painter) were fellows of the Royal Society.

The Academicians attended lectures on the most complex discoveries in science and it was suggested Turner was an invited guest.

Sir William Herschel (1738-1822) presented papers on the nature of the sun.

Herschel had looked at the sun with a giant telescope in Slough.  He found a range of particular features that he called “openings, shallows, ridges, nodules, corrugations, indentations and pores”.

He filtered the harmful magnified light through a tray of watered ink.

Turner too looked at the sun and purposefully gives a dab of the brush bristles, raising nodules of paint; a wipe of the flat areas of paint making parallel ridges and a smoothed area.

Norham Castle, Sunrise c.1845 Joseph Mallord William Turner 1775-1851 Accepted by the nation as part of the Turner Bequest 1856 http://www.tate.org.uk/art/work/N01981

Capturing photographic images of the sun is best left till the sun is rising or setting. I took this photo in 2016. When the image was downloaded from the ‘SIM card’, a spotlight from the sky appeared to light up a small area of the ground. This image has not been adjusted, to this day I do not know how the photo is possible!

Landscape Sunset Near Pewsey, Hugo Richardson, November 2016